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Artist In Presidents is directed by Constance Hockaday and produced in partnership with UCLA’s Center for the Art of Performance and Stanford Live Arts-- with support from The Kenneth Rainin Foundation, The Andy Warhol Foundation for the Visual Arts, and TED.

Constance Hockaday is a queer Chilean-American from the US/Mexico Border. She is a director and visual artist who creates immersive social sculptures on urban waterways.  In 2001, she began making work with the Floating Neutrinos, a family of psycho-spiritual wanderers who sailed around the world in handmade vessels. She has collaborated with Swoon’s Swimming Cities projects, sailing floating sculptures along the Hudson, Mississippi, and the Adriatic Sea (2006-09). In 2011, she created the Boatel, a floating art hotel in NYC’s Far Rockaways made of refurbished salvaged boats—an effort to reconnect New Yorkers to their waterfront. The project attracted 5000+ visitors, international press and critical acclaim. The New York Times described her 2014 piece All These Darlings and Now Us—as a “powerful commentary on the forces of technification and gentrification roiling San Francisco.”  This project highlighted the displacement of San Francisco’s queer community: more than 1000 people watched peep show performances on a raft of retrofitted sailboats featuring artists from two recently shuttered iconic queer businesses--The Lusty Lady and Esta Noche. Hockaday holds an MFA in Social Practice and MA in Conflict Resolution.  She is also a Senior TED Fellow and an artist in residence at The Center for the Art of Performance at UCLA.

OUR CREW

 

ADVISORY BOARD

Ellen Sebastian Chang

Chloe Veltman

Colleen Keegan

Shoham Arad

Geoffrey Cowan

David Murray

CURATORIAL ADVISORS

Hannah Grossman

Dena Beard

Beth Pickens

Kristy Edmunds

KP Pepe

DESIGN TEAM

Aimee Kuge

Tylery Gunther

Jibz Cameron

Baha Ebrahimzadeh

Xander McCabe

Lily Kurtz

Chelsea Fairless

SOCIAL MEDIA

Aimee Kuge

CHIEF EDITOR

Wendy Univer

AUDIO PRODUCTION

Nicole Kelly 

Phoebe Unter

PROJECT MANAGER

Danielle Mandel

WHY THE FIRESIDE CHAT?

The project is inspired by Franklin Delano Roosevelt's Depression-era Fireside Chats. FDR took office during the Great Depression, when the nation’s economy was decimated and trust in government was at an all-time low. Under these conditions, Roosevelt began to speak directly to the public via a series of radio broadcasts dubbed “the Fireside Chats.” His aim was to address Americans’ greatest concerns  In intricate poetic detail, Roosevelt unfurled an accessible vision of a unified American public and called upon citizens to participate in democracy as an act of faith. 

Today, Americans are faced with the crippling social and economic fallout of a global pandemic which only accentuates the existing disparities in our communities. Similar to Depression Era FDR, we have arrived at a moment of crisis and possibility.  We are not calling for a Fireside Chat re-do, but rather an acknowledgement that many of the national narratives of liberation have erased the voices of women and people of color. It is time for an update. We are expanding the vernacular and aesthetics of power with the bodies and voices of brilliant thinkers of artists, writers, performers and musicians—calling on them to assume authority over our collective future.