Gabrielle Civil is a black feminist performance artist and poet, originally from Detroit, MI. She has premiered 50 performance artworks around the world and her performance memoirs include Swallow the Fish, Experiments in Joy and ( ghost gestures ) performance writing. The aim of her work is to open up space.
Photo by Laura Edith Sutherland
SCRIPT:
. . . but how do you have an intimate chat with a country on fire?
Girl, I hear you. intimacy is not my impulse with the United States either.
But then what is the United States?
Here and now, you and me, aren’t we the United States too?
. . .you know what Langston said . . .
“They’ll see how beautiful I am/ And be ashamed”
But the times are SHAMELESS!
Jayne Cortez said it well: “the altar will not fit another skull”
Constance says people are turning in screeds
for these fireside chats-- and why wouldn’t they—
rants and pissed off poems and posters and songs
but I did want to do something different:
a score, a ritual, a scavenger hunt
something a little more magical / I was like
“Greetings from your Conjurer-in-Chief.
Here’s a trick I learned about surviving in America.
Take hold of something in your line of vision
a rooftop, a spoon, a pebble in your shoe.
Then pour your worries into it.
Your heartache, your grief, unspeakable and unheard.
Let this worry object hold it for a while”
I know I’m so Haitian!
that’s the ticket: something vibrating,
something connected to Blackness
what living objects can be when you’ve been a living object
in this country// how you can turn it around
I’m talking about conjure / a conjuring vibe
and constance said I was onto something
but it lacked intimacy and connection
and miré said the same thing and i just met constance
but miré and i go way back
and so i had to believe it was true
and that stung a little because you know
intimacy is generally a problem for me anyway
not warmth or friendliness, but real intimacy in America
is a real problem and in this moment
it’s a thing I’m not sure I really want to give
more like a thing I’m not sure I know how to hold
and what is intimacy in a socially distant country on fire?
but what is conjure without vulnerability and risk?
Constance suggested speaking directly to a friend.
For real, what if a presidential address could be just that?
So let me try that for a minute and just give America a chance
--America—whoever that may be—the chance to overhear. . .
Hey, did I ever tell you what Amoke told me years ago
I was having a hard time / going through some things
and she said: take 3 eggs
and put them in a brown paper bag
and put the bag on the top of the fridge for a while
and then—well, I can’t tell you the whole magic
you’d need to talk to her yourself
but it was a way to work things out
and the key was put those eggs in a bag
and pour your energy into them.
I keep thinking about those eggs,
what they were, what they did,
and how everybody’s eggs would be
slightly different but what I want people to do is
reach for something, hold it in their hands
and maybe set it aside/ gather up your right belongings,
let them take hold and turn everything into something else.
That was my idea behind the Conjurer-in-Chief.
Laura escaped from her husband and little son
and zoomed down not on a computer
but in her car in her mask with her jewelry box
and we had so much fun doing a presidential photo shoot
in my parents’ backyard, in Detroit, glimmering with green.
Laura took tons of pictures and in my favorite one,
there are flowers and a little picture of me as a kid on the lawn
and you can see me holding one of the two Haitian commodore busts
from my parents’ house, so nuts the stuff they have, and there are
two of Laura’s $2 bills, two of my parents’ bicentennial catalogues,
and after four hundred years, maybe like Langston says:
“They’ll see how beautiful I am”
and maybe now I too can hold these eggs close
and now turn this into something else . . .